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THOUSAND

SERIES OF FORMS

SERIES OF FORMS

When we think about the relationship between space and people. We feel that something practical is not enough. 
When we looked at the beautifully finished space, that we wanted to add was the uncertain lines and uneven texture created by human hands.
It is a sense of beauty that people can understand each other. 
Placing this object in space creates a composition with what is already there.
This object is a device to compensate for the element that is lacking in space, and it fulfills its function by affecting space, 
This form of shadow created by natural sunlight changes the nuance slightly from the morning to the evening and makes you feel the space there.
When we think about the relationship between space and people. We feel that something practical is not enough. 
When we looked at the beautifully finished space, that we wanted to add was the uncertain lines and uneven texture created by human hands.
It is a sense of beauty that people can understand each other. 
Placing this object in space creates a composition with what is already there.
This object is a device to compensate for the element that is lacking in space, and it fulfills its function by affecting space, 
This form of shadow created by natural sunlight changes the nuance slightly from the morning to the evening and makes you feel the space there.
Series of forms |  2020
Size : W170 D280 H1600 | Material :  Traditional handmade paper
 
Photographer : Kenta Hasegawa (except 6th&7th)
Series of forms |  2020
Size : W170 D280 H1600 | Material :  Traditional handmade paper
 
Photographer : Kenta Hasegawa (except 6th&7th)
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TRACE OF MOVEMENT

TRACE OF MOVEMENT

The idea for these models was designed by making incisions and folding a piece of paper. 
Just making a couple influence create unexpected tridimensional objects and we were pleasantly surprised & attracted by this simple process. 
People imagine movement based on their recollections and experiences.
When we look at the model, we can feel the trace of movement and acknowledge that it was made from a piece of paper.
The idea for these models was designed by making incisions and folding a piece of paper. Just making a couple influence create unexpected tridimensional objects and we were pleasantly surprised & attracted by this simple process. People imagine movement based on their recollections and experiences. When we look at the model, we can feel the trace of movement and acknowledge that it was made from a piece of paper.
Trace of Movement | Furniture Design Exhibition  2015
Size : W250 D250 H1800 | Material :  steel black painting
 
Photographer : Kenta Hasegawa (except last one)
Trace of Movement | Furniture Design Exhibition  2015
Size : W250 D250 H1800 | Material :  steel black painting
 
Photographer : Kenta Hasegawa (except last one)
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TEE

 TEE |  Floor Light |  2017
Size : W500 H1500 |  Material : steel black painting   LEDinestra
 
Photographer : Kenta Hasegawa 
 TEE |  Floor Light |  2017
Size : W500 H1500 |  Material : steel black painting   LEDinestra
 
 Photographer : Kenta Hasegawa
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HOLLOW

 Hollow |  stool |  2011
Size : W430 D430 H430 |  Material : frp, painting
 
Photographer : Kenta Hasegawa 
Hollow |  stool |  2011
Size : W430 D430 H430 |  Material : frp, painting
 
Photographer : Kenta Hasegawa 
chicako ibaraki
chicako ibaraki

WEAVE

Two flat bars running perpendicular at right angles create a bookshelf. The irregular braiding shape changes when viewed from different angles.
This bookshelf made of rubber painted stainless steel. Rubber paint prevents slipping books.
 
Weave | bookshelf | 2009
Size : W380 D380 H1600 | Material : rubber painted stainless steel
Awarded 100%DESIGN Tokyo Professional Award, 2009.
Produced the new version for Casamania in 2012.
 
Photo: Satoshi Asakawa (except 1st one)
Two flat bars running perpendicular
at right angles create a bookshelf.
The irregular braiding shape changes
when viewed from different angles.
This bookshelf made of rubber painted stainless steel.
Rubber paint prevents slipping books.
 
Weave | bookshelf | 2009
Size : W380 D380 H1600 
Material : rubber painted stainless steel
Awarded 100%DESIGN Tokyo
Professional Award, 2009.
Produced the new version for Casamania in 2012.
 
Photo: Satoshi Asakawa(except 1st one)
chicako ibaraki
chicako ibaraki
chicako ibaraki
chicako ibaraki

LINE

Line is a floor-standing LED lamp with an acrylic diffuser, inspired by a shaft of light peaking through the opening of a small window.
The light source is an LED lamp it makes the whole diffuser glow. The high luminescence provided by the LED lamp
 output allows forlower power consumption and creates a more sustainable light’s life.
 
Line | floor light
Material : acrylic diffuser with metal base,
Size : W400 D400 H1400
Award : ZERO EXHIBITION Tokyo Design Premio Award 2008.
 
Photo : Satoshi Asakawa (except 2nd&3rd)
Line is a floor-standing LED lamp with an acrylic diffuser, inspired by a shaft of light peaking through the opening of a small window. The light source is an LED lamp it makes the whole diffuser glow. The high luminescence provided by the LED lamp output allows for lower power consumption and creates a more sustainable light’s life.
 
Line |  floor light
Material : acrylic diffuser with metal base,
Size : W400 D400 H1400
Award : ZERO EXHIBITION Tokyo Design Premio Award 2008.
 
Photo : Satoshi Asakawa (except 2nd&3rd)
chicako ibaraki

DUAL

 
Dual | stool | 2012
Material : Tamo ash, oil stain
Size : W320 D320 H430
 
Photographer : Kenta Hasegawa
Dual | stool | 2012
Material : Tamo ash, oil stain
Size : W320 D320 H430
 
Photographer : Kenta Hasegawa
chicako ibaraki
chicako ibaraki
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